{"id":1155,"date":"2026-06-13T13:34:20","date_gmt":"2026-06-13T11:34:20","guid":{"rendered":"https:\/\/ashiscom.org\/congreso-jovenes\/?page_id=1155"},"modified":"2026-06-15T22:37:57","modified_gmt":"2026-06-15T20:37:57","slug":"sesiones-de-comunicaciones","status":"publish","type":"page","link":"https:\/\/ashiscom.org\/congreso-jovenes\/informacion_principal\/sesiones-de-comunicaciones\/","title":{"rendered":"Sesiones de Comunicaciones"},"content":{"rendered":"\n<h3 class=\"wp-block-heading has-white-color has-vivid-cyan-blue-background-color has-text-color has-background has-link-color wp-elements-4f47ea277557c5669dc6b68de48fc91f\">Jueves, 18 de junio | 12:30-14:00 horas<br>Sesiones paralelas de comunicaciones I<\/h3>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-1&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-1-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-1\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 4. Bulos y censura: rumores, silencios y estrategias de control en la Historia de la Comunicaci\u00f3n <em>(Aula C010)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-1\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-1-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Sesi\u00f3n 1. Prensa, propaganda, criminizalizaci\u00f3n y control del relato.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Carmen Estrada Fern\u00e1ndez<\/strong> (investigadora predoctoral en Historia del Arte, Universidad de Oviedo) y <strong>Ayla P\u00e9rez Pozo<\/strong> (investigadora predoctoral en Historia del Arte, Universidad de Oviedo).<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Francisco de la Coba<\/strong>: \u201cEvoluci\u00f3n y transformaci\u00f3n digital de los medios en espa\u00f1ol en Londres: cambios en el consumo informativo de la di\u00e1spora hispanohablante\u201d.<\/li>\n\n\n\n<li><strong>Alejandro Guti\u00e9rrez Le\u00f3n<\/strong>: \u201cLa voz de la raz\u00f3n entre las balas. La prensa republicana valenciana en el caos informativo de la Guerra Civil\u201d.<\/li>\n\n\n\n<li><strong>Oscar Rafael Ferrer \u00c1vila<\/strong>: \u201cUna campa\u00f1a contra el comandante: la estigmatizaci\u00f3n del revolucionario Fidel Castro en el semanario colombiano El Campesino, 1958\u20131970\u201d.<\/li>\n\n\n\n<li><strong>Juan Diego Mu\u00f1oz Socha<\/strong>: \u201cLa gram\u00e1tica variable de la criminalizaci\u00f3n: El Espectador y el Paro Nacional de 2013 en Colombia\u201d.<\/li>\n\n\n\n<li><strong>Pablo Berd\u00f3n Prieto<\/strong>: \u201cRTVE y la instrumentalizaci\u00f3n pol\u00edtica de la televisi\u00f3n p\u00fablica durante los gobiernos socialistas, 1982\u20131990\u201d.<\/li>\n\n\n\n<li><strong>V\u00edctor \u00dacar Rivas\u00e9s<\/strong>: \u201cSintonizar con la memoria democr\u00e1tica, pero de puertas para afuera: la Cadena SER y la gesti\u00f3n de su pasado \u2018inc\u00f3modo\u2019\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-2&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-2-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-2\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 5. La construcci\u00f3n medi\u00e1tica de la masculinidad y feminidad nacional: modelos, contramodelos y disputas (ss. XIX-XXI) <em>(Aula C105)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-2\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-2-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Miguel \u00c1ngel Rubio Lape\u00f1a<\/strong> (Investigador predoctoral FPU \u2013 Universitat de Val\u00e8ncia) e <strong>Inmaculada Verd\u00fa S\u00e1nchez<\/strong> (Investigadora Doctora Junior \u2013 Universitat de Val\u00e8ncia)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Inmaculada Verd\u00fa<\/strong>: \u201cIsabel la Cat\u00f3lica en la prensa mexicana\u201d.<\/li>\n\n\n\n<li><strong>Miguel \u00c1ngel Rubio<\/strong>: \u201cApaches, fascistas y bajos fondos: contramodelos de g\u00e9nero y naci\u00f3n en la prensa obrera de entreguerras\u201d.<\/li>\n\n\n\n<li><strong>Mar\u00eda Prieto<\/strong>: \u201cDel costumbrismo al consumismo: un siglo de construcci\u00f3n medi\u00e1tica de la naci\u00f3n a trav\u00e9s de la flamenca\u201d.<\/li>\n\n\n\n<li><strong>Mar\u00eda Murillo<\/strong>: \u201cMasculinidades, poder y liderazgo en el siglo XIX: una aproximaci\u00f3n transnacional a trav\u00e9s de las figuras de Espartero y Santa Anna\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-3&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-3-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-3\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 8. Mirar al pasado: Historia y audiovisual en la era de la revisi\u00f3n cultural <em>(Aula C109)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-3\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-3-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Sesi\u00f3n 1. Culturas audiovisuales, representaciones e imaginarios transnacionales<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>N\u00e9stor Mu\u00f1oz Torrecilla<\/strong> (Universidad Complutense de Madrid)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Yuting Tang: \u201c<\/strong>De la \u00abescritura secreta\u00bb de las mujeres\u201d.<\/li>\n\n\n\n<li><strong>Alba Carbajal Arias: \u201c<\/strong>El videojuego como dispositivo de reescritura cultural: construcci\u00f3n y circulaci\u00f3n de imaginarios de Jap\u00f3n en el medio videol\u00fadico contempor\u00e1neo\u201d.<\/li>\n\n\n\n<li><strong>Javier Su\u00e1rez Navarro:<\/strong> \u201cLa sombra del Bushid\u014d: Identidad e historicidad en Ghost of Tsushima\u201d.<\/li>\n\n\n\n<li><strong>N\u00e9stor Mu\u00f1oz Torrecilla &amp; \u00c1lvaro Navarro Gavi\u00f1o:<\/strong> <strong>\u201c<\/strong>Estrategias narrativas y est\u00e9ticas del biopic contempor\u00e1neo: panorama del biopic espa\u00f1ol frente al modelo hollywoodiense (2020\u20132025)\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-4&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-4-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-4\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 14. Fotograf\u00eda documental: archivo, silencios y memoria cr\u00edtica <em>(Aula C209)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-4\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-4-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Elisa Lozano Trivi\u00f1o <\/strong>(Universidad Complutense de Madrid)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Andrea Gallego:<\/strong> \u201cEl avasallamiento sist\u00e9mico de la historia e identidad extreme\u00f1as: del 25 de marzo a la Matanza de Badajoz\u201d.<\/li>\n\n\n\n<li><strong>Carlos Gonz\u00e1lez: <\/strong>\u201cDe la ocupaci\u00f3n al shadowban: una genealog\u00eda de la violencia sobre el archivo y el cine palestino de mujeres (1982\u20132026)\u201d.<\/li>\n\n\n\n<li><strong>Jeisson Novoa: <\/strong>\u201cEst\u00e9ticas de lo cotidiano: La acci\u00f3n del sujeto y su reflejo sociocultural en la dimensi\u00f3n normativa y marginal del archivo documental\u201d.<\/li>\n\n\n\n<li><strong>Elisa Lozano Trivi\u00f1o: <\/strong>\u201cLa fabulaci\u00f3n cr\u00edtica en el archivo: Ram\u00f3n Zabalza a trav\u00e9s de su obra cr\u00f3nica cal\u00e9s (2022)\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-5&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-5-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-5\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 7. El periodismo de sucesos como cr\u00f3nica social de su \u00e9poca: nuevas perspectivas, personajes y relatos <em>(Aula C210)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-5\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-5-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Luc\u00eda Calatayud-Cano<\/strong> (Universidad de Sevilla)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Carmen Navarro L\u00f3pez y Miriam Salinas Guirao:<\/strong> \u201cLas mujeres paran la ciudad: revueltas contra los consumos y motines de hambre en la prensa espa\u00f1ola (1895-1898)\u201d.<\/li>\n\n\n\n<li><strong>Sonia Probanza Escudero: <\/strong>\u201c El sufrimiento como entretenimiento\u201d.<\/li>\n\n\n\n<li><strong>Luc\u00eda Calatayud-Cano: <\/strong>\u201cDel odio a la fascinaci\u00f3n por la muerte: la producci\u00f3n period\u00edstica en sucesos de los Mill\u00e1n Astray\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading has-white-color has-vivid-cyan-blue-background-color has-text-color has-background has-link-color wp-elements-6c0eb58a381ec932440f24200974ebd1\">Jueves, 18 de junio | 15:30-17:00 horas<br>Sesiones paralelas de comunicaciones II<\/h3>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-6&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-6-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-6\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 1. Historias conectadas: la voz de las mujeres en la profesi\u00f3n period\u00edstica<em> (Aula C005)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-6\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-6-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Carmen Mar\u00eda Navarro L\u00f3pez<\/strong> (Doctora en Periodismo por la Universidad Complutense de Madrid (UCM))<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Daniela Giraldo:<\/strong> \u201c\u00abAll know that it is untrue\u00bb: El legado period\u00edstico de Ida B. Wells y su compromiso frente a la violencia racial\u201d.<\/li>\n\n\n\n<li><strong>Eila Rodr\u00edguez Filgueiras<\/strong>: \u201cSof\u00eda Casanova y la corresponsal\u00eda de guerra: pr\u00e1ctica period\u00edstica y g\u00e9nero en la cobertura de la Revoluci\u00f3n rusa (1917\u20131923)\u201d.<\/li>\n\n\n\n<li><strong>Alba Mar\u00eda Moledo Ucha<\/strong>: \u201cMar\u00eda Luz Morales, cr\u00edtica teatral en La Vanguardia (1934-1936): El teatro republicano y el v\u00ednculo con Federico Garc\u00eda Lorca\u201d.<\/li>\n\n\n\n<li><strong>Garbi\u00f1e Jaurrieta Bariain:<\/strong> \u201cEntre la colaboraci\u00f3n y la red: Carlota O\u2019Neill en la cultura impresa libertaria y el proyecto editorial <em>Nosotras<\/em>\u201d.<\/li>\n\n\n\n<li><strong>Tania Tena P\u00e9rez:<\/strong> \u201cAn\u00e1lisis de la incidencia de la violencia digital en la pr\u00e1ctica profesional de las periodistas en el Estado espa\u00f1ol\u201d.<\/li>\n\n\n\n<li><strong>Carmen Mar\u00eda Navarro L\u00f3pez<\/strong>: \u201cRosa Mar\u00eda Calaf, referente dentro y fuera de la pantalla\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-7&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-7-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-7\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 4. Bulos y censura: rumores, silencios y estrategias de control en la Historia de la Comunicaci\u00f3n <em>(Aula C009)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-7\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-7-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Sesi\u00f3n 2. Comunicaci\u00f3n pol\u00edtica, crisis, polarizaci\u00f3n y desinformaci\u00f3n contempor\u00e1nea<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Carmen Estrada Fern\u00e1ndez<\/strong> (investigadora predoctoral en Historia del Arte, Universidad de Oviedo) y <strong>Ayla P\u00e9rez Pozo<\/strong> (investigadora predoctoral en Historia del Arte, Universidad de Oviedo).<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Natalia Neira Carri\u00f3n<\/strong>: \u201cMedios de comunicaci\u00f3n y calidad democr\u00e1tica: evoluci\u00f3n hist\u00f3rica del caso argentino durante los gobiernos kirchneristas, 2003\u20132015\u201d.<\/li>\n\n\n\n<li><strong>Ana Mar\u00eda Tudela Flores<\/strong>: \u201cPopulismo h\u00eddrico, contradicciones, silencios y vaciado del discurso en la propaganda electoral referida al agua de los grandes partidos a nivel auton\u00f3mico y nacional\u201d.<\/li>\n\n\n\n<li><strong>Salvador Gonz\u00e1lez<\/strong>: \u201cBulos estructurales, silencios funcionales: la mirada del materialismo pol\u00edtico sobre la polarizaci\u00f3n, los des\u00f3rdenes informativos y la censura en la historia del capitalismo digital\u201d.<\/li>\n\n\n\n<li><strong>Claudia Torres Hern\u00e1ndez<\/strong>: \u201cDe la litograf\u00eda al deepfake: evoluci\u00f3n de la persuasi\u00f3n visual y herramientas de IA para la detecci\u00f3n de la desinformaci\u00f3n iconogr\u00e1fica\u201d.<\/li>\n\n\n\n<li><strong>Williams Gonz\u00e1lez-Gonz\u00e1lez &amp; Juan-Jos\u00e9 Igartua<\/strong>: \u201cNarrativas de educaci\u00f3n-entretenimiento con modelos de rol positivo que transforman perspectivas y desactivan rumores falsos anti-inmigraci\u00f3n\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-8&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-8-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-8\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 5. La construcci\u00f3n medi\u00e1tica de la masculinidad y feminidad nacional: modelos, contramodelos y disputas (ss. XIX-XXI) <em>(Aula C108)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-8\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-8-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Miguel \u00c1ngel Rubio Lape\u00f1a<\/strong> (Investigador predoctoral FPU \u2013 Universitat de Val\u00e8ncia) e <strong>Inmaculada Verd\u00fa S\u00e1nchez<\/strong> (Investigadora Doctora Junior \u2013 Universitat de Val\u00e8ncia)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Carmen Baniandr\u00e9s<\/strong>: \u201cVogue USA como articuladora del discurso pol\u00edtico tras el 11S: la construcci\u00f3n de la ciudadana-consumidora\u201d.<\/li>\n\n\n\n<li><strong>Milena Alibejova<\/strong>: \u201cLa construcci\u00f3n medi\u00e1tica del liderazgo pol\u00edtico y las identidades de g\u00e9nero en la campa\u00f1a\u201d.<\/li>\n\n\n\n<li>presidencial estadounidense de 2024: un an\u00e1lisis discursivo de Donald Trump, Kamala Harris y Joe Biden\u201d.<\/li>\n\n\n\n<li><strong>Javier D\u00edaz-Bajo<\/strong>: \u201cPublicidad e inteligencia artificial: la representaci\u00f3n de la feminidad por medio de una influencer virtual\u201d.<\/li>\n\n\n\n<li><strong>Carmen Verd\u00fa<\/strong>: \u201c&#8217;Si las mujeres mandaran&#8217;: feminidad, naci\u00f3n y discurso medi\u00e1tico en la Espa\u00f1a regeneracionista\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-9&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-9-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-9\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 8. Mirar al pasado: Historia y audiovisual en la era de la revisi\u00f3n cultural <em>(Aula C109)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-9\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-9-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Sesi\u00f3n 2. Historia, memoria y reescrituras culturales en cine y medios contempor\u00e1neos<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>N\u00e9stor Mu\u00f1oz Torrecilla<\/strong> (Universidad Complutense de Madrid)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Julia Marco Velasco<\/strong>: \u201cUna nueva mirada para una nueva Francia: an\u00e1lisis de Los 400 golpes (Fran\u00e7ois Truffaut, 1959) y los nuevos cines de la d\u00e9cada de los sesenta\u201d.<\/li>\n\n\n\n<li><strong>Mercedes de la Fuente Navas<\/strong>: \u201cNuevas narrativas audiovisuales generadas con inteligencia artificial abordando acontecimientos hist\u00f3ricos. Personajes femeninos y masculinos\u201d.<\/li>\n\n\n\n<li><strong>Sergio Guti\u00e9rrez Manj\u00f3n &amp; Ainhoa Jim\u00e9nez Arranz<\/strong>: \u201cLa evoluci\u00f3n del Rey Mono como embajador cultural de China en los medios audiovisuales\u201d.<\/li>\n\n\n\n<li><strong>Carlos Roberto L\u00f3pez Parra<\/strong>: \u201cV\u00edctor Gaviria: tras una metodolog\u00eda de trabajo con actores naturales\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading has-white-color has-vivid-cyan-blue-background-color has-text-color has-background has-link-color wp-elements-53b771b8f274a0d3953c0dbf39123198\">Jueves, 18 de junio | 18:00-19:30 horas<br>Sesiones paralelas de comunicaciones III<\/h3>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-10&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-10-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-10\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 9. Nadie ten\u00eda que \u201chacerles pensar\u201d: la clase trabajadora popular y la prensa del movimiento obrero <em>(Aula C207)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-10\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-10-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Gontzal Tom\u00e1s P\u00e9rez<\/strong> (Euskal Herriko Unibertsitatea\/Universidad del Pa\u00eds Vasco) y <strong>Juan-Miguel Arranz <\/strong>(Universidad de Salamanca)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Alberto N\u00fa\u00f1ez Rodr\u00edguez<\/strong>: \u201cUna mirada alternativa a la caricatura socialista. Autorrepresentaci\u00f3n obrera en Madrid a comienzos del siglo XX\u201d.<\/li>\n\n\n\n<li><strong>Juan Miguel Arranz<\/strong>: \u201cTextos y contextos de los socialistas madrile\u00f1os de base de los a\u00f1os treinta: los boletines sindicales\u201d.<\/li>\n\n\n\n<li><strong>Enrico Giordano<\/strong>: \u201c\u00ab\u00a1Busca al obrero!\u00bb. Prensa pol\u00edtica y mediaciones sociales en el socialismo del interior: del Bolet\u00edn de Salamanca al PSP (1953-1978)\u201d.<\/li>\n\n\n\n<li><strong>Laura Cruz Chamizo<\/strong>: \u201c\u00abSencillamente, tu mundo\u00bb: Mundo Obrero como v\u00ednculo afectivo del Partido Comunista de Espa\u00f1a en la transici\u00f3n\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-11&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-11-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-11\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 15. Mirando la tele: m\u00e9todos y enfoques en el an\u00e1lisis de formatos de no ficci\u00f3n <em>(Aula C209)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-11\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-11-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Ignacio Nevado<\/strong> (Universidad Complutense de Madrid)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Nevado, Ignacio<\/strong>: \u201cS\u00e9 lo que hicisteis contra Telecinco. Guerra en la sobremesa por la audiencia y la identidad. (2006-2011)\u201d.<\/li>\n\n\n\n<li><strong>Lanuza Medina, Cristina<\/strong>: \u201cDe lo auton\u00f3mico a lo estatal\/internacional. Producci\u00f3n, estrategias de estreno y difusi\u00f3n interregional de la ficci\u00f3n seriada en catal\u00e1n, euskera y gallego (2021-2025)\u201d.<\/li>\n\n\n\n<li><strong>Vegas Garc\u00eda, Lorena y Cuenca Romero, Javier<\/strong>: \u201cLa peste porcina africana en las redes sociales de TVE, Telecinco y Antena 3\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-12&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-12-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-12\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa Miscel\u00e1nea. Mesa 11. \u00abLa reconstrucci\u00f3n de la Derecha desde los extremos\u00bb. El mundo editorial de la Extrema Derecha y el conservadurismo radical durante la Guerra Fr\u00eda y otras ponencias <em>(Aula C206)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-12\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-12-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Pablo Garc\u00e9s Palacios<\/strong> (Universidad de Zaragoza) y <strong>Z\u00e9sar Arranz Conte<\/strong> (Universidad de Zaragoza)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Juan Antonio S\u00e1nchez Jim\u00e9nez<\/strong>: \u201cJulio de Diego (1900-79) en Nueva York: humor gr\u00e1fico, prensa hispana y modernidad visual\u201d.<\/li>\n\n\n\n<li><strong>Pedro Pablo Garc\u00e9s Palacios<\/strong>: \u201cLa rearticulaci\u00f3n de la extrema derecha en Espa\u00f1a a trav\u00e9s de la revista Fuerza Nueva (1966-1982)\u201d.<\/li>\n\n\n\n<li><strong>Jorge Guill\u00e9n Serna<\/strong>: \u201cEl surgimiento de actores iliberales y el nuevo r\u00e9gimen posdemocr\u00e1tico\u201d.<\/li>\n\n\n\n<li><strong>Z\u00e9sar Arranz Conte<\/strong>: \u201c&#8217;Near to the Escorial&#8217;. La Espa\u00f1a de Franco como una utop\u00eda en el catolicismo radical estadounidense de Brent Bozell\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading has-white-color has-vivid-cyan-blue-background-color has-text-color has-background has-link-color wp-elements-e1e3ad9c35bebbfe1493e6ff6a29568d\">Viernes, 19 de junio | 9:30-11:00 horas<br>Sesiones paralelas de comunicaciones IV<\/h3>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-13&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-13-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-13\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 6. Arqueolog\u00eda del periodismo digital en Espa\u00f1a (1995\u20132025): tecnolog\u00edas, audiencias y desinformaci\u00f3n<em> (Aula C205)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-13\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-13-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Jos\u00e9 Manuel Mart\u00edn Herrero<\/strong> (Doctor por la Universidad Complutense de Madrid) y <strong>\u00c1lvaro G\u00e1rriz Oyarzun <\/strong>(Doctorando en la Universidad Complutense de Madrid)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Valent\u00edn Heindl<\/strong>: \u201cArqueolog\u00eda de una tecnolog\u00eda emergente: El debate espa\u00f1ol sobre nanotecnolog\u00eda en los a\u00f1os 2000 como marco hist\u00f3rico-comparativo para los discursos actuales sobre inteligencia artificial\u201d.<\/li>\n\n\n\n<li><strong>\u00c1lvaro G\u00e1rriz Oyarzun<\/strong>: \u201cDel peri\u00f3dico digital al medio que se escucha: el p\u00f3dcast en la evoluci\u00f3n de El Mundo\u201d.<\/li>\n\n\n\n<li><strong>Jos\u00e9 Manuel Mart\u00edn Herrero<\/strong>: \u201cDel suscriptor al socio: discursos de captaci\u00f3n, comunidad e independencia en elDiario.es y El Mundo\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-14&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-14-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-14\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 10. En el principio ya exist\u00eda la Palabra: La historia de la adaptaci\u00f3n comunicativa de la Iglesia Cat\u00f3lica <em>(Aula C207)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-14\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-14-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Pablo S\u00e1iz-Escobar<\/strong> (Universidad Complutense de Madrid) y <strong>Miguel Madurga Morillo <\/strong>(Universidad Complutense de Madrid)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Miguel Madurga Morillo<\/strong>: \u201cLa palabra se hizo arte\u201d.<\/li>\n\n\n\n<li>Pablo S\u00e1iz Escobar: \u201cDe la Palabra al algoritmo: la respuesta de la Iglesia Cat\u00f3lica a la deriva comunicativa hacia la inteligencia artificial\u201d.<\/li>\n\n\n\n<li><strong>Raquel Pajares Fern\u00e1ndez:<\/strong> \u201cDe la responsabilidad social corporativa a la sostenibilidad: una evoluci\u00f3n hist\u00f3rica en el \u00e1mbito de la comunicaci\u00f3n corporativa\u201d.<\/li>\n\n\n\n<li><strong>Yasmina Panisello Ferr\u00e9<\/strong>: \u201cEscuchar a trav\u00e9s del Arte. Ecos del ideario social, pol\u00edtico, religioso y universitario en las advocaciones marianas\u201d.<\/li>\n\n\n\n<li><strong>Maia Gugunava<\/strong>: \u201cLa otra madre (1925) de Jacques Feyder y la huella (in)visible de Dimitri de Zoubaloff: an\u00e1lisis intertextual\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-15&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-15-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-15\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 13. Misoginia online y resistencias feministas en la \u00faltima d\u00e9cada <em>(Aula C208)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-15\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-15-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Anita Fuentes<\/strong> (Universidad Complutense de Madrid) y <strong>Iara Rossetti Musso <\/strong>(Universidad Complutense de Madrid)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Jara Rossetti Musso<\/strong>: \u201cAfectos, vulnerabilidad y contranarrativas feministas frente a la misoginia online: repensar lo com\u00fan en el capitalismo digital\u201d.<\/li>\n\n\n\n<li><strong>Yaiza Hernandez Escobar<\/strong>: \u201cLa Manosfera como dispositivo pedag\u00f3gico; rituales de captaci\u00f3n, pedagog\u00edas cr\u00edticas y resistencias visuales feministas\u201d.<\/li>\n\n\n\n<li><strong>Isabel Sanz Mor\u00e1n<\/strong>: \u201cEl videopodcast como infraestructura mainstream de expansi\u00f3n de la manosfera espa\u00f1ola\u201d.<\/li>\n\n\n\n<li><strong>Anita Fuentes<\/strong>: \u201cRespuestas feministas a la reacci\u00f3n mis\u00f3gina m\u00e1s all\u00e1 del marco neoliberal\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-16&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h5 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-16-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-16\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mesa 16. Relatos persuasivos: Publicidad, comunicaci\u00f3n e historia en la construcci\u00f3n de imaginarios sociales y otras ponencias <em>(Aula C209)<\/em><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h5>\n\n\n\n<div inert aria-labelledby=\"accordion-item-16\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-16-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n: <strong>Alejandro Costa Escuredo<\/strong> (Universidad Complutense de Madrid) y <strong>Mari\u00f1a Go\u00f1i Aguilar<\/strong> (Universidad Complutense de Madrid)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Cristina Mart\u00ednez Garc\u00eda<\/strong>: \u201cLa animaci\u00f3n como herramienta de diplomacia p\u00fablica estadounidense en la posguerra fr\u00eda: an\u00e1lisis de Aladdin (1992) y Mulan (1998)\u201d.<\/li>\n\n\n\n<li><strong>Gema J. L\u00f3pez S\u00e1nchez<\/strong>: \u201cNetflix for users with disabilities\u201d.<\/li>\n\n\n\n<li><strong>Marina Go\u00f1i Aguilar y Alejandro Costa Escuredo<\/strong>: \u201cLa frontera \u00e9tica del periodismo: el caso de la publicidad nativa\u201d.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jueves, 18 de junio | 12:30-14:00 horasSesiones paralelas de comunicaciones I Jueves, 18 de junio | 15:30-17:00 horasSesiones paralelas de comunicaciones II&hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":34,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1155","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ashiscom.org\/congreso-jovenes\/wp-json\/wp\/v2\/pages\/1155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ashiscom.org\/congreso-jovenes\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ashiscom.org\/congreso-jovenes\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ashiscom.org\/congreso-jovenes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ashiscom.org\/congreso-jovenes\/wp-json\/wp\/v2\/comments?post=1155"}],"version-history":[{"count":25,"href":"https:\/\/ashiscom.org\/congreso-jovenes\/wp-json\/wp\/v2\/pages\/1155\/revisions"}],"predecessor-version":[{"id":1196,"href":"https:\/\/ashiscom.org\/congreso-jovenes\/wp-json\/wp\/v2\/pages\/1155\/revisions\/1196"}],"up":[{"embeddable":true,"href":"https:\/\/ashiscom.org\/congreso-jovenes\/wp-json\/wp\/v2\/pages\/34"}],"wp:attachment":[{"href":"https:\/\/ashiscom.org\/congreso-jovenes\/wp-json\/wp\/v2\/media?parent=1155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}